Tiger Hands
In Tiger Hands, choreographer Benjamin Akio Kimitch dreams beyond the worn-out mantra of East-meets-West. Inspired by his formative training in Chinese dance and intimate encounters with Peking opera, Kimitch’s vision for his first production in five years is one of world making. With this performance, Kimitch continues a body of dance works that honor grief for his late mother, a third-generation sansei Japanese American, amateur taiko drummer, and folk dancer. “Tiger hands,” a Peking opera posture conventionally reserved for male characters, represents for Kimitch both a later-life reconnection to his formative non-Western dance training and cues for how he might enliven the early experimental energy that birthed this artform. Kimitch invites a diverse group of creative collaborators in his cosmic, sunrise-colored search for authentic personal expression, using elements of Peking opera as a transformative source of beauty and strength.
Directed, Choreographed, and Designed by Benjamin Akio Kimitch
Improvisations by the Dancers
Pareena Lim, Julie McMillan Castellano, and Lai Yi Ohlsen, Dancers
Claire M Singer, Composer
Jeffrey Gan, Dramaturg
Carlos Soto, Costume Designer
Serena Wong, Lighting Designer
Victoria Bek, Costume Supervisor
Justin Wong, Project Manager
Premiere: August 4, 5, 6, 2022
The Shed, as part of Open Call 2022, New York City
Awards & Press
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2023 Winner for Outstanding Choreographer/Creator, “Bessie” New York Dance and Performance Award
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Tiger Hands was commissioned by The Shed (NYC) as part of Open Call 2022. Development was made possible by the Maggie Allesee National Center for Choreography at Florida State University; the Movement Research Artist-in-Residence Program; AUNTS: WPA Micro Stimulus program; a Foundation for Contemporary Arts Emergency Grant; and lead donations from Rob Krulak, Michael Crisafulli and Morty Newburgh, Brian Fitzpatrick, Cynthia Mayeda, Eileen and Alfred Ono, Gus Solomons Jr, and the generosity of many others.
Photos by Erin Baiano